Here’s the latest from The Magnificent 60s
Nothing to live on but dreams and, in those days, no social media to bail them out. Spare sad lives in Small Town U.S.A. told with an occasional grand guignol touch. Look elsewhere for the laconic loner of Steve McQueen legend, to, for example, The Cincinnati Kid, out the same year.
This has the feel of a vanity project, the actor’s Solar outfit taking a production credit, as if the star felt he wouldn’t properly be recognized as an actor unless he had a ton of lines to chew through. And he might be right to feel aggrieved, wildly contrasting roles from Daniel Day-Lewis in movies that opened the same day in New York two decades later had critics reaching for the superlatives…
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