Here’s the latest from The Magnificent 60s
There was no greater divide between audiences and critics in Britain than the long-running comedy “Carry On” series (outside of an occasional satirical bulls-eye like Carry On Up the Khyber, 1968). And a similar gulf existed between the type of audiences the movies attracted in Britain and those in America. In Britain they were vastly popular general releases while in America their usual habitat was the arthouse as if they were seen as the natural successors to the Ealing comedies. And there was a third chasm – between the endearing risqué early comedies and the more lascivious later versions…
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