Here’s the latest from The Magnificent 60s
A dud. Not even Yul Brynner, whom I pumped up as under-rated yesterday in Escape from Zahrain (1962), can save it, nor a camped-up Charles Gray (The Devil Rides Out, 1968). Takes too long to get started, meanders all over the place while suspension of audience disbelief breaks new ground.
The first ten minutes or so via voiceover are wasted telling us stuff that one character could deliver in a single line. That is, there’s a worldwide counterfeit operation in place and London is the next target…
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