Here’s the latest from The Magnificent 60s
Approach with affection and you will be rewarded. This is third tier Hammer, way down the pecking order behind Dracula and Frankenstein and after attracting studio stalwarts Christopher Lee and Peter Cushing for its first venture into this territory (The Mummy, 1959) dumps them for the sequel. And in the absence of the CGI that transformed the Stephen Sommers version in 1999 – and triggered the misguided Universal Monsterverse – struggles these days to prevent audiences laughing at the special effects. The titular beast was little more than a bandaged version of the lurching creature created by Dr Frankenstein so chills were always going to be in short supply, especially minus the plague of scarabs that dominated the later proceedings….
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