Source: Film School Rejects
By Rob Hunter
One of the upsides to making a sequel to a comedic home invasion thriller about a thirteen-year-old girl slaughtering nazis — think Home Alone, but with copious bloodshed and eye trauma — is that a foothold into dark absurdity has already been established. 2020’s Becky is a fun enough little slice of violent entertainment, and three years later a follow-up has arrived promising and delivering more of the same. That’s not a knock, either, as watching Lulu Wilson maim and murder Proud Boy stand-ins is more than enough to fuel a franchise. The Wrath of Becky is a bloody good time and a quick, fun new chapter in one girl’s unconventional coming-of-age journey…
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